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One of the shortcomings of this method is that the damped sound is very short. To play a soft, sustained note on the guitar, it is better to damp the string with the soundhole. This is the best way to get a muted sound. But again, I'd imagine it doesn't sound like a bowed-string instrument. This method must be done in such a way that it will not change the sound of the chord. If you do this often, especially with the big chords, it will sound flat and muddy. If you are afraid this will sound flat, do it with the bass string only. This way, it will sound much dryer. Of course, there is a chance that you will not get the sound you want and will get a buzzing, muted sound. This is why it is best to find out the temperament of the guitar and adapt your playing accordingly.
Another tip is to use a finger to mute the string as you play the chord. If the first note of the chord is slightly out of tune, the string will not ring at all and the plucked note will sound damped. This is how I like to use my fingers on a guitar at times.
An alternative method is to mut that bass string only (the weakest string in the chord). Play a chord that uses only the bass string. Pluck the first note. As the string dies, press the thumb flat onto the string to damp it. If you like, place the hand very close to the bridge to mute the string completely. You can also vary the time of attack with a short stroke. The arm must be held out at a certain angle to facilitate this.
When the hand is placed over the string, the finger muscles must exert just enough pressure to damp the string, but not so much as to allow the finger to slide off the string. In theory, if the damp doesn't work, the finger can be slowly moved back and forth along the string until it begins to work. This is another thing to keep in mind -- on a modern guitar, damp is easier to do than on an older guitar.
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